Mangas und Animes sind in Japan eine beliebte Volkskultur. Erfolgreiche Manga-Zeichner (Mangaka) werden wie Popidole verehrt. Viele Jugendliche träumen davon, einmal Mangaka zu werden. Auch Akito Takagi hat diesen Traum, leider sind seine Zeichenfähigkeiten sehr begrenzt. Als er eines Tages zufällig erfährt, dass sein Mitschüler Moritaka Mashiro ein talentierter Zeichner ist, ergreift Akito die Chance und überzeugt Moritaka, gemeinsam eine berufliche Perspektive als Mangaka einzuschlagen - er als Autor und Moritaka als Zeichner. Basierend auf dem sehr erfolgreichen Manga „Bakuman“, erzählt der Anime auf höchst unterhaltsame und lehrreiche Weise die ereignisreiche Mangaka-Karriere der beiden Jungen.
Originaltitel
バクマン。
Produktionsland
Japan
Regie
Mitsutoshi Sato
FSK
12
Untertitel
Nein
Besetzung
Atsushi Abe, Satoshi Hino, Saori Hayami, Sayuri Yahagi, Nobuhiko Okamoto, Tomoyuki Shimura, Ayako Kawasumi, Ayumi Fujimura
Episoden-Guide
1. Bakuman - . (25 Episoden)
Takagi und Mashiro sind ihrem großen Ziel, weltbekannte Mangaka zu werden, einen Schritt näher gekommen, nachdem ihr Manga "Detective Trap" als Serie gestartet ist. Doch auf ihrem Weg begegnen ihnen weitere Top-Mangaka, gegen die es zu bestehen gilt.
01
Traum und Realität
Akito Takagi träumt schon lange von einer Karriere als Mangaka. Als er eines Tages erfährt, dass sein Mitschüler Moritaka Mashiro ein talentierter Zeichner ist, sieht er die Chance, diesen Traum in die Tat umzusetzen.
02
Dumme und Kluge
Auf dem Weg zum erfolgreichen Mangaka stehen viele Hürden. Schon an der ersten könnte das Projekt scheitern. Denn Moritaka’s Mutter ist vom Berufswunsch ihres Sohnes überhaupt nicht begeistert.
03
Eltern und Kind
Moritakas leider schon sehr jung verstorbener Onkel war ein passionierter Mangaka. Als die beiden Jungen in die Künstler-Werkstatt des Onkels kommen, bekommen Sie große Augen...
04
Zeit und Schlüssel
Mori und Akito erkennen wie unglaublich viel Arbeit und Zeit in einem Manga steckt. Wie sollen sie das mit ihren Verpflichtungen in der Schule vereinbaren? Gerade jetzt, wo die Abschlussprüfungen nahen.
05
Sommer und Storyboard
Mit großem Tateneifer nehmen Mori und Akito ihr erstes Projekt in Angriff. Bis zum Ende der Sommerferien soll das erste Manuskript fertig sein.
06
Zuckerbrot und Peitsche
Mori und Akito stellen den Entwurf ihres ersten Mangas einem berühmten Manga-Verlag vor. Mit großer Spannung und bangen Herzen sehen sie dem Urteil des Redakteurs entgegen.
07
Tränen und Tränen
Die Ferien sind vorbei. Mori sitzt in der Klasse neben Miho. Beide sind unsicher, wie sie mit den Liebesgefühlen, die sie für einander empfinden, umgehen sollen.
08
Sorge und Hoffnung
Mori und Akito stellen den Entwurf ihres zweiten Mangas im Verlag vor. Der Redakteur sieht diesmal gut Chancen, dass sie damit in einem bedeutenden Nachwuchswettbewerb weit vorn landen.
09
Reue und Einsicht
Nachdem Akito einem Mitschüler eine aufs Maul gehauen hat, weil dieser seinen Freund Mori beleidigt hatte, hat er noch mehr Verehrerinnen. Er ist darüber allerdings überhaupt nicht begeistert...
10
Zehn und Zwei
Mori und Akito sind auf ihrem Karriereweg wieder einen Schritt weiter. Sie erhalten erstmals Einlass in die Redaktionsräume des berühmten Manga-Verlages, selbst der Chefredakteur nimmt sich kurz Zeit für sie.
11
Schokolade und NEXT!
In dieser Episode gibt’s für Mori und Akito an allen Fronten Erfolgserlebnisse: in der Schule, in der Liebe und in der Mangaka-Karriere.
12
Luxusdinner und Schulabschluss
Mit den hohen Ansprüchen an ihre romantische Liebe machen sich Mori und Miho das Leben wirklich schwer. Kaya will nicht tatenlos mitansehen, wie die beiden an ihrer Liebe leiden.
13
Blitzauswertung und Hon-chan
Mori und Akito kommen auf ihrem Weg zum Profi-Mangaka wieder einen Schritt weiter. Leider ist dieser Schritt aber doch nicht so groß, wie erwartet...
14
Kämpfen und Nachzeichnen
Die erste persönliche Begegnung mit ihrem Erzrivalen Niizuma Eiji hinterlässt bei Mori und Akito einen bleibenden Eindruck.
15
Debüt und Ungeduld
Mori und Miho begreifen, dass man für Erfolg kämpfen muss.
16
Mauer und Kuss
Der Redakteur macht den Jungs große Hoffnung, doch es reicht wieder nicht. Offenbar muss man eine ziemlich große Frustrationstoleranz haben, wenn man Mangaka werden will.
17
Stolz und Güte
Mori übernimmt in den Ferien einen Assistenten-Job beim Mangaka-Wunderkind Niizuma Eiji. Dabei stellt er mit Erstaunen fest, dass das schräge Genie unerwartet teamfähig ist.
18
Eifersucht und Liebe
Niizumas Team harmoniert echt gut und arbeitet enorm produktiv. Trotzdem entscheidet sich Mori dafür, seine Arbeit in diesem Team zu beenden.
19
Zu zweit und allein
Mori und Akito geraten in eine schwere Krise! Sollten sie sich lieber trennen und ihre Mangaka-Träume jeder für sich allein verfolgen?
20
Kooperation und Bedingungen
Mori und Akito haben sich wieder zusammengerauft. Ihr Redakteur findet ihren Entwurf für einen Krimi-Manga sehr vielversprechend, aber er stellt den Jungs hammerharte Bedingungen...
21
Literatur und Musik
Beim „Golden Future“-Wettbewerb für Nachwuchs-Mangaka haben Mori und Akito diesmal gute Erfolgsaussichten. Allerdings gibt es starke Konkurrenten, vor allem einen mit dem sie nicht gerechnet haben...
22
Zusammenhalt und Zusammenbruch
Endlich mal ein bisschen Action. Die Ankündigung des Musikidols „Koogy“, sich am Golden Future Cup zu beteiligen, bringt die anderen Bewerber des Wettbewerbs echt auf die Palme.
23
Dienstag und Freitag
Jetzt wird’s spannend! Die Werke der Bewerber des Golden Future-Cups werden nacheinander veröffentlicht und von den Lesern bewertet.
24
Telefonat und die Nacht davor
Die Gewinner des Golden-Future-Wettbewerbs werden bekannt gegeben...
25
Treffer und Nieten
Die Redaktionskonferenz des Manga-Verlages muss nun entscheiden, welche Serien der Verlag demnächst beauftragen und produzieren wird. Es gibt 13 Kandidaten...
2. Staffel 2 (25 Episoden)
01
Schweigen und Bankett
Willkommen in der Welt der Manga-Profis! Akito und Moritaka bekommen einen Jahresvertrag für ihre erste Serie, ein neuer Redakteur wird sie betreuen und drei neue Assistenten werden sie unterstützen.
02
Textsammlung und Fotoalbum
Die Zusammenarbeit von Akito und Moritaka mit ihrem Redakteur und den Assistenten beginnt sich einzuspielen. Miho hat ein Problem, das auch Moritaka belastet.
03
Episode 3
Nakai vows to do whatever it takes to renew his partnership with Aoki, showing his determination to an extreme extent, worrying Mashiro, Fukuda and the rest.
04
Unterstützung und Geduld
Akito und Moritaka sind sehr unsicher, ob ihre Arbeitsergebnisse die Anforderungen des Mangamarktes erfüllen können. Die Ratschläge ihres Redakteurs sind ihnen da leider keine große Hilfe.
05
Komödie und Nachrichten
Die Rankings der ständigen Umfragen zur Bewertung der aktuellen Mangaserien treiben die Mangakas und deren Redakteure durch ein Wechselbad der Gefühle.
06
Krankheit und Entschlossenheit
Moritaka liegt im Krankenhaus. Er hatte einen Zusammenbrauch und muss in Kürze operiert werden. Alle machen sich große Sorgen um seine Gesundheit, doch Moritaka will wie besessen weiterzeichnen.
07
Schicksal und Zurückhaltung
Da sich Moritaka partout nicht davon abbringen lässt, auch im Krankenhaus weiter zu zeichnen, trifft der Chefredakteur des Manga-Magazins eine rigorose Entscheidung.
08
Episode 8
The boycott is still in full effect but the chief editor hasn't changed his mind. Meanwhile Mashiro and Azuki continue their still awkward yet happy meetings in the hospital. Seeing how hard Mashiro and Takagi work, Miura makes one last desperate plea to sway the chief into resuming TRAP but he ultimately fails. In the end Mashiro and Takagi show the chief the work they have done so far, managing to convince him with their guts.
09
Fortführung und unterster Rang
Moritaka ist wieder gesund und die Jungs machen sich wieder mit Eifer an die Manga-Arbeit. Doch das nächste Unheil naht: Die Umfrage-Werte ihrer Serie sind im Sinkflug.
10
Episode 10
The team must decide which genre to choose for their new manga. Miura urges them to draw a gag manga, but Mashiro and Takagi aren't sure they're fit for gag manga and prefer something more serious which is their forte. In the end they decide to create 2 new one-shots, one funny one to Miura's liking and one more serieus one, more to their liking. They show both Hitman 10 and Future Watch to Miura who tells them to try to get Hitman 10 serialized. This causes Mashiro to feel like this editor really is a "miss" since according to him, Future Watch is a lot better. In the end it's revealed Ashirogi Muto submitted Future Watch behind his back in the newbie contest, the Monthly Awards, in order to get all the editors, higher-ups and especially the manga artist judge, Niizuma, to read it.
11
Episode 11
Both Ashirogi Mutos' one shots Future Watch and Hitman 10 are well received by the editorial staff. The chief decides to run both as one-shots, wanting to see the public reaction before making a decision on a possible serialization. Mashiro and Takagi aren't sure about their new editor and his skills and this gets worse when Takahama calls them because his manga Business Boy Kenichi ranked 6th as serie while it got 2nd place as one-shot, telling them not to listen to Miura too much and do things in their won style because taking Miura's advise made him fall down in the rankings. In the end Hitman 10 ranks 10th, while Future Watch ranks 9th.
12
Episode 12
Miura's data research concludes that the team should focus on a gag manga because they're steadier in the rankings but Mashiro and Takagi are still not sure about it, especially Mashiro. During a meeting Miura pushes them to do it while Mashiro keeps declining the idea, stating gag doesn't suit Takagi's writing style and his art style at all. Miura tells him he shouldn't decide things on his own, since Takagi isn't really against the idea, and tells Mashiro to work on his artstyle or to let Takagi have another artist do the artwork. Upon hearing this Takagi snaps and tell Miura "they can't work with someone like him" and both of them leave. While on their way to the studio, Mashiro tells Takagi he doesn't mind doing a gag manga as much but he was happy Takagi defended him. Later that evening they receive several boxes Miura sent earlier, containting material about gag manga, and Mashiro and Takagi realize how passionate Miura is about gag manga. When he comes over to apologize they tell him it'd be fine to do a gag manga.
13
Episode 13
After confirming to do a gag manga with Miura, Takagi goes to the zoo to get some inspiration for his next heroine. There he meets Aoki and they decide to exchange information about the way guys and girls think and experience things, helping each other out as fellow manga artists. Because of their constant phone calls, Miyoshi always gets the "busy signal" when she tries to call Takagi, making het a little suspicious. After Aoki, Takagi, and Iwase all meet at the zoo, Takagi receives a book from Iwase which she wrote herself. When Takagi isn't upset about her winning a prize and refuses to compare his work with hers, she angrily declares she will become a manga story writer as well. When Miyoshi finds Iwase's novel at the studio and a hidden letter inside, she leaves the office in tears.
14
Episode 14
Mashiro and Takagi finish their manuscript and submit it to NEXT. Miyoshi is still thinking about what happened, and decides to call Azuki, who in turn decides to call Takagi. After Takagi fails to explain what really is going on, she attempts to get more information out of Mashiro. After questioning Mashiro on whether or not he has been honest with her, she hangs up, leaving Mashiro thinking he has been dumped.
15
Episode 15
Takagi and Miyoshi blame themselves over the fact their fight has caused a rift between Mashiro and Azuki. Because Mashiro and Azuki are too stubborn to apologize to one another, Takagi decides to explain everything to Miyoshi at the zoo. The meeting is complicated when Takagi runs into an upset Aoki just as Miyoshi arrives. In an effort to get Miyoshi to stay, Takagi proposes to her and she accepts after Aoki explains everything. In the end Miyoshi allows Takahi and Aoki to keep contact at the condition she and Aoki will become friends too. They invite Azuki to tea and she mails Madshiro that she forgives him, much to his confusion.
16
Episode 16
Aoki asks Nakai to draw the art for her new manga but he states he only will on the condition she will go out with him, angering her to the point she slaps him. Afterwards she continues her in search for someone to help her draw sufficient panty shots in order for her manga to have a more "shōnen" feel to it, but isn't able to find anyone suitable. After many events, Fukuda ends up offering his help, since his manga Kiyoshi Knight is doing so well due to his own well-drawn panty shots. Aoki is hesitant to accept his help but under the circumstances she has little choice but to accept it in the end.
17
Episode 17
Takagi and Mashiro's new manga Tanto doesn't get serialized but Miura tells them they just have to make it better for the next meeting. "Business Boy Kenichi" gets canceled, leaving Nakai jobless. After being rejected twice he reflects on his behavior and decides to go back home. Mashiro tries to stop him but Nakai won't budge, not even when Fukuda and Aoki show up. Later, Takamara asks for a different editor because Miura won't let him draw what he wants but the chief editor refuses, saying that if his work is good enough, the editor will be forced to accept it, making Takagi and Mashiro realize the same thing. Niizuma becomes the artist for Aiko Iwase's manuscript while promising he'll continue CROW and not let the quality drop, thoguh he states he'll only do it on the condition it'll be serialized, which Hattori (who will be the editor of the new manga) is confident about. Worried how the higher ups will react about Niizuma running two series, Hattori asks him to change the art style a bit and use a pen name until it passes the committee.
18
Episode 18
Miura gets worried when he hears the positive reactions about the "newbie" manga artist who drew the storyboard for MONEY's. Takagi and Mashiro find out that Aiko Iwase is the story writer, fueling their competitive feelings. Aiko pays Takagi a visit, asking him to acknowledge her if she ends up being more popular, which he promises but only talent wise. He tells her he and Miyoshi are engaged. The committee finds out about Niizuma being the artist for MONEY's but can't deny its quality. In the end Hirameki Tanto-kun finally gets serialized but Niizuma's new manga +Natural does so as well. Takagi also gets invited to Miyoshi's house regarding her parents approval for their marriage. As Team Fukuda hears about Niizuma's double serialization they have a meeting with a short interruptance of Iwase. When they visit Niizuma and ask him why he took up the job of the second manga, Niizuma declares he draws because he wants to and no one is allowed to whine about it until they make a better manga, reverting to his normal self afterwards.
19
Episode 19
Takagi goes to Miyoshi's house to announce their engagement to her parents. The two families have surprising connection and everything goes well between them. Later, the pair attends a party where Niizuma's second series motivates them as rivals. Takagi is feeling more and more pressure as Otters, Hiramaru's manga, gets an anime series. Tanto's release follows that of +Natural (Iwase and Niizuma's new manga), and to their disappointment, it does not beat +Natural's second chapter in the rankings. Iwase suddenly claims she has a crush on Hattori and out of the blue, Niizuma announces he's not reading Ashirogi Muto's manga anymore...
20
Episode 20
It's time for Takagi and Miyoshi's wedding. Mashiro is still unsure if Tanto fits their style and ends up arguing with Hattori, who refuses to give his opinion about their manga. In the end Mashiro gets Hattori to admit he thinks their manga isn't good but he also tells him he still thinks they can beat Niizuma. When Niizuma declares on tv that Ashirogi Muto is his number one rival, Mashiro has a break down. He runs home and calls Azuki, saying he wants to quit Tanto because he wants to aim higher, because he wants to compete with Niizuma. Mashiro talks about it with Takagi and they decide to quit Tanto. The chief editor tells them to quit the company if they behave like this but Mashiro states his wish to beat Niizuma but that he's unable to do so with Tanto. The chief asks Takagi if he thinks they can beat Niizuma with a different work, so Takagi declares they'll submit something to the following 3 serialization meetings that can compete with Niizuma's work. If they fail to do so, their contract will be terminated.
21
Episode 21
Mashiro and Takagi try hard to come up with good names for their new serie. Miura tells them they should work on a serious darker manga, like Money and Intelligence, so they decide to create an edited and more complicated version of their earlier manga, naming it Money, Intelligence and Appearance (aka KTM) which is also incredibly deep. However, it is not accepted for serialization. For the next meeting they are pushed by Miura to seriously attempt writing a mainstream fantasy manga with a simple setting, unlike TKM, against their own ideas. While they feel a "standard battle manga" isn't working for them, Miyoshi states the manga is enjoyable and that the simple setting is good for a change. In the end that manga gets rejected too, leaving them with one last chance.
22
Episode 22
The team's newest work "Stopper of Magma" is rejected without consideration for serialization. Miura reveals he has been receiving advice from Hattori, who suggests they draw a serious comedy. Muto Ashirogi follow Hattori for inspiration, and develop the idea for their last chance manga.
23
Episode 23
Miura reads the storyboard for the new manga Perfect Crime Club and approves of it. Takamta also reads the storyboard, admitting theirs is a lot better compared to his, leaving Mashiro and Takagi more confident about their new manga. They celebrate Christmas with Miyoshi but are still anxious about the meeting, deciding that if they don't make it they will continue being manga artists for another magazine. In the serialization meeting everyone seems to be positive about Perfect Crime Club but the chief editor asks them if it could seriously compete with CROW and +Natural. In the end he suggest they vote if the manga should be serialized, and the episode ends with the negative result 4–3 against the serialization...
24
Episode 24
Editor Oonishi, changes his vote to be positive, stating it's ridiculous to let Ashirogi Muto go because of this voting. The vice chief editor also changes his vote, stating they should leave it up to the readers to decide this matter. In the end the manga gets serialized. Mashiro, Takagi and Miyoshi receive the good news and eat home made cake from Azuki. They find a USB in the cake and listen to her special recorded Christmas carol. Mashiro and Takagi's editor changes again but it turns out to be Hattori, while Miura becomes the editor for +Natural. Hattori tells them about the initial voting result, triggering a brainstorm session where they discuss what they should change to make the manga even better. Hattori thinks it's Niizuma's 'expressiveness' that makes his manga so good but Mashiro changes it to 'imagination'. Mashiro decides to, just like Niizuma, draw the manga based on only Takagi's script (instead of his storyboards), giving him more freedom to draw the panels as he wants. Both of them start to rewrite the storyboard. Meanwhile Fukuda tells his editor he's working on a one shot, saying he doesn't want to lose against Niizuma and Ashirogi Muto.
25
Episode 25
Mashiro changes the character design while Takagi struggles with naming the 3 characters and a possible new title. Orihara comes back as assistant + 2 new ones: Moriya and Shiratori. Those 2 argue if sales or treating it like an art is better for a manga. Mashiro tells them he and Takagi draw with sales in their minds, because they're not yet good enough to draw something that has true cultural value, saying that everyone should draw the way they want to. Takagi decides on the title; "Perfect Crime Party", aka "PCP". Meanwhile Fukuda is working on Road Racer Buchigiri. Everyone is curious how the votes will be with PCP as a story based manga against the intense and flashy Road Racer. In the end "Perfect Crime Party" gets 1st place and gets a total of 422 votes, amazing the editors because CROW "only" got 401 and +Natural 310 votes on their first chapter. The achievement is especially good since CROW didn't have a one shot like Road Racer to compete with at the time. Fukuda's Road Racer gets serialized too. Hearing +Natural dropped to the 8th place, Iwase gets fired up, as does Niizuma. At the end Mashiro, Takagi and Hattori visit Mashiro uncle's grave. Mashiro tells him he finally got 1st place and we see his uncle 'answering' that it should be a given and that when he truly becomes number one, he should come back again, but he smiles proudly.
3. Staffel 3 (25 Episoden)
01
Episode 1
The series continues off with Mashiro and Takagi's Perfect Crime Party's serialization. Azuki receives an offer for an audition role in the +Natural anime but she is undecided due to a promise with Mashiro to cast as the female lead for the anime adaptation of his manga. In the end she personally tells Aiko and Eiji she declines the role but before they can talk it out she's taken away by Mashiro who decided to stop her last minute. They hold hands the rest of way. Before she heads home, Azuki tells him that next time they meet, they'll kiss; by that time, their dreams will have come true.
02
Episode 2
Competition heats up between Perfect Crime Party and Niizuma and Akina's +Natural causing Mashiro and Niizuma to change their art styles. Akina becomes infatuated with Niizuma after he acknowledges her talent. Takahama and Fukada begin new serializations.
03
Episode 3
Mashiro and Takagi decide that Perfect Crime Party won't be able to beat Crow and +Natural at their current pace. Takagi decides that writing a five-week long story arc will increase PCP's rating for week 25, but feels the story he comes up with is lacking something. After seeing Iwase again, he realizes that PCP needs a rival character.
04
Episode 4
PCP gets selected for a drama CD to which Mashiro and Takagi nominate Azuki for the role of the main female character. As popularity of PCP continues to increase a light novel is also spawned. However Takagi and Mashiro still push for an anime adapation causing Hattori to say that PCP will probably not be made into one. He goes on to explain that the editors at Yueisha had received numerous letters of complaint from adults saying that their children have been engaging in petty crimes and mischievous behaviour because of PCP's realistically influencial content. Niizuma also seems upset upon learning of this news. Shiratori draws his own storyboard with help from Takagi and shows it to Hattori who says that it may be good enough to be printed as a one-shot and even a serialization. Mashiro had conceived a plan for Ashirogi Muto to begin work on another manga.
05
Episode 5
Takagi and Shiratori's manga Rabuta & Peace is entered into the serialization committee and it is published in the November issue of Shonen Jack placing 5th in the voting charts. Mashiro decides to use his free time to improve his drawing skill, aiming to reach a level where he can draw two manga simultaneously and be on par with Niizuma. Shiratori's mother disapproves of him drawing manga because of their family's high class reputation causing him to run away from home. His family then comes to the studio looking for him where Shiratori's mother insults everyone there by looking down on their manga artists' abilities. This leads to a heated exchange of words by both parties. Hiramaru and Aoki's serializations are both canceled due to low ratings and enter into an upcoming competition, Super Leaders Fest.
06
Episode 6
Mashiro convinces Takagi to let him work on their entry for the Super Leaders Fest so he can concentrate on Rabuta & Peace. After overcoming a bit of writer's block, Mashiro decides on entering with a love story. At Yueisha's Annual New Years Day party (2015) it is discovered that everyone intends on entering the Super Leaders Fest with love stories. Mashiro asks Azuki for her input in his manga which would be based on their feelings for each other. Mashiro and Takagi end up having a fight over whether or not it is right for them to drift apart and work on separate manga. Shiratori decides to quit being an assistant and focus on getting Rabuta & Peace serialized while Takagi stops coming to the studio altogether, even going as far as to discuss PCP with Hattori separately. Later on Takagi comes back and explains that he had been away teaching Shiratori to become independent because Rabuta & Peace is his manga.
07
Episode 7
Yoshida wants Hiramaru to aim his manga, Never Reaching You, which placed 2nd in the Super Leaders Fest for a serialization. Hiramaru reluctantly agrees so long as he can go on a tea date with Aoki. Suspecting that Yoshida may be pulling the strings behind the scene, Hiramaru and Aoki to turn off their phones so they can't be disturbed. When Yoshida realizes this, he goes after them but is sent on a wild goose chase through the city. Takagi, Mashiro and Fukada deduce that Hiramaru went to the tea shop he wrote about in his manga. They chase him and Aoki to a pedestrian bridge where Yoshida tries to convince him to keep drawing because he is a true genius that comes around every 2-3 years. Hiramaru goes to confess to Aoki, but Yoshida tries to talk him out of it because he will be crushed if he is turned down. However he goes ahead with support from Mashiro, Takagi, Miyoshi and Fukada, to which Aoki accepts.
08
Episode 8
Mashiro and Takagi begin reading The Classroom of Truth and decide that it is an excellent manga despite the fact that it is unorthodox in nature. The serialization committee however, in the end, decide that the manga itself is not suited for Shonen Jack and have it remain a finalist in the competition. Its author, Nanamine Tooru turns out to be a long time fan of Ashirogi Muto and is brought to Yueisha to discuss changing the material of The Classroom of Truth. However, Nanamine releases the manga on the internet which upsets Yueisha's policy but in return he brings them a new manga which the Chief reads and approves as a one-shot immediately, while everyone begins to think highly of him. Later, when Nanamine meets Takagi and Mashiro, he reveals a devious plan where he deliberately collaborates with fellow mangaka on the internet and incorporates their ideas into his work, which he then passes off as his own.
09
Episode 9
As Nanamine's meeting with Mashiro and Takagi continues, he equates them to amateaurs with no self confidence. Realizing that their words are falling on deaf ears, Mashiro adamantly states that sooner or later Nanamine's scheme will be exposed. Nanamine continues to refine the storyboard for his one-shot with help from his internet community, should it get serialized and completely neglects input from his editor, Kosugi. A flashback shows Nanamine being a loner as a child, until he read Ashirogi Muto's Money & Intelligence, spawning his myopic philosophy that anything can be achieved through money alone. As Nanamine's rating gets even higher, Mashiro and Takagi analyze his progress and begin to discuss their successor to PCP. The editorial department continue to marvel at Nanamine's work albeit minor skepticism from Hattori and Kosugi.
10
Episode 10
The serialization committee decides to serialize Aoki's What God Gave Me and Nanamine's What You Need for a Meaningful School Life. As Kosugi begins to be bothered by Nanamine's method, Hattori senses his discomfort and visits Mashiro and Takagi to gain some insight on Kosugi's attitude, which they reveal is due to Nanamine's unorthodox method, enraging Hattori. At the same time, Nanamine calls Akito to gloat about his serialization, but Ashirogi Muto states they will crush his methods using all the hard work they have put into PCP. Unperturbed, Nanamine says that they will let the rankings decide who is superior. Eventually, Hattori confronts Kosugi and is able to lift his spirits by reminding him of his value as an editor. As Nanamine collaborates with his internet acquaintances, some drop out after becoming fearful of his intention to challenge Ashirogi Muto.
11
Episode 11
As Nanamine's battle with Ashirogi Muto continues, he hires Nakai and is able to increase the level of his art albeit Nakai inadvertently discovers his method. As the weeks progress, Aoki's What God Gave Me rises to the top of the rankings followed by a sharp decline, while Ashirogi Muto's PCP remain steady at 4th place. Nanamine's What You Need for a Meaningful School Life initially comes in 2nd place but soon plummets to 15th and is on the verge of cancellation since he keeps adding too many ideas from his internet community. Nanamine then tries to bait Ashirogi Muto into competing with the same type of story, which they reject outright due to Yueisha's policy. While he continues to argue with his internet community and rejecting Kosugi's input, a large part of Nanamine's community abandons him for rejecting their ideas and exposes his method to deputy chief editor Aida.
12
Episode 12
Kosugi explains the competition to Nanamine and tells him that if he loose, he has to form a proper author-editor relationship with him. Meanwhile, Takagi explains the obvious flaw in Nanamine's method: controlling such a large group of people and choosing/blending the best ideas from them is simply impossible. Nakai also realizes this and tells the internet community that Nanamine had been hiding the true ratings from them to prevent their departure, which they do upon learnin of this. With his ranking dropped to 19th and PCP in 3rd place, Nanamine decides to give up but Kosugi doesn't let him walk away and demonstrates he wouldn't leave him, prompting Nanamine to start anew by doing the work himself. Eventually, at Yueisha's Annual New Years Day party (2016), Nanamine deems Ashirogi Muto his rival and vows to beat them eventually. Soon an elementary school reunion takes place which Mashiro attends and is hailed as a celebrity by his former classmates.
13
Episode 13
As Mashiro and Azuki ponder the effects that the robbery would have on PCP and Takagi, the Chief and Hattori decide to support Ashirogi Muto as much as possible. However, Takagi's mental state has already been greatly affected. This causes him to write lower quality stories and eventually he reuses old ideas he once rejected. This results in PCP's ranking dropping from the top five to the 12th place. As PCP enters a slump, Yujirou confides in Hattori of Nizuma's deal to cancel one manga should he get the top spot in the rankings, which may happen soon. This leads Hattori to become fearful of PCP's serialization. As another bank robbery occurs, the thieves leave a card, claiming they are PCP, which enrages Takagi but he finally finds a way to resolve this.PCP's next chapter is about a copycat crime intended to make it seem like the PCP protagonists had done it, but is foiled by their rival who realized the real PCP wouldn't commit criminal acts, much less claim it was their doing.
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Episode 14
Nizuma begins devoting himself to CROW, which soon manages to place 1st in the rankings for five consecutive weeks. Yujirou is initially thrilled but later worries Nizuma's determination is connected with the deal he made with the Chief. He speculates Nizuma might want to end +Natural. As Ashirogi Muto follow CROW's progress, they take it as Nizuma's method of motivating them to improve PCP. Soon enough, Nizuma pays the Chief a surprise visit at the Yueisha and Yujirou can only speculate what they discuss. Yujirou informs Fukuda of Nizuma's intentions, who then gathers together Takagi, Mashiro, Aoki, Hiramaru, Takahama and Akina to confront Nizuma directly. Nizuma explains the deal he made with the Chief: he'll get to end a anga should he gain 1st place in the rankings for 10 consecutive weeks. He then reveals that he intends to end CROW at the height of its popularity since he doesn't believe in Yueisha's policy of continuing a manga solely for profit.
15
Episode 15
With Nizuma's ultimatum clearly set, only seven weeks remain until the end of CROW. Yujirou decides to inform the entire editing department of Nizuma's intentions, much to their frustration but eventually decide to do all they can for their authors to surpass CROW. As the weeks close in, everyone does their best to improve their manga, with Fukuda introducing a new character in Road Racer Giri and Takahama beginning a new story arc for Seigi no Mikata while utilizing their cover spreads. As Ashirogi Muto decide how to compete against Nizuma, they decide to utilize the strength that PCP possesses: its unconventionaliy and introduce a mysterious new anti heroic character called "Sigma". As the results come in, CROW remains 1st while Road Racer Giri and Seigi no Mikata place 2nd in consecutive weeks followed by PCP, with the editing department's favorite for beating CROW being Seigi no Mikata.
16
Episode 16
Yujirou acknowledges Nizuma's determination and states that he will support him in ending CROW. As Ashirogi Muto's next chapter of PCP is published, everyone marvels at their brilliance in using the colored page the way the did. The page itself is an invitation for the protagonists of PCP to meet the mysterious "Sigma". The page shows the portrait of PCP's leader, Matoko, which is altered by "Sigma" to detail the date, time and place of their meeting. The idea is that the readers are able to engage themselves in the puzzle by using the colored page. As the results come in, Ashirogi Muto ties in second place with Road Racer Giri while CROW takes first place yet again. As Takagi and Mashiro think about their defeat, they realize it was their rivalry with Nizuma that brought them as far as they have come, and express this in the comments section for CROW's final chapter. As Yujirou congratulates Nizuma on ending CROW, he is shocked to discover Nizuma already has many other manga's drawn.
17
Episode 17
As +Natural's ratings plummet to 15th place in the rankings, and being informed by Miura that her story is not on par with the battle archetype, Iwase loses confidence in her abilities and decides to stop writing altogether. Upon learning of this from Aoki through Takagi, Mashiro pays her a visit and reminds her that she is Takagi's driving force and should stay as a fellow rival, although she is free do do what she pleases. Eventually everyone from Team Fukuda shows up and witnessing how much they care, Iwase is able to restore her resolve. Later, Sasaki is transferred to another magazine, but before he leaves, pays Nizuma and Ashirogi Muto and visit. He expresses his desire to see them both do well and acknowledges the fact that he had favoritism towards Mashiro and Takagi due to a promise he kept to Mashiro's late uncle, Nobuhiro. Nizuma shows Yujirou his storyboard for his next manga with a zombie theme, with Yujirou remarking that it is already better than CROW.
18
Episode 18
The editing department go ecstatic over Ashirogi Muto's Reversi and Nizuma's Zombie Gun so both are published as one-shots. Meanwhile, Azuki lands the lead role in a popular soccer anime and Mashiro congratulates her, promising the breakout role from their future anime. As the votes come in, Zombie Gun sets a new record by getting the highest number of votes for a one-shot: 692. However in the second week, as Reversi is published, it places 1st and beats Nizuma's Zombie Gun by a margin of two votes. At the serialization committee, it is decided that both Zombie Gun and Reversi should be published, however they have a difficult time deciding how to deal with Ashirogi Muto producing two manga's weekly. Heishi seeks advice from Sasaki and they decide it would be best if Ashirogi Muto does PCP weekly and Reversi as a monthly manga. This news upsets Hattori since he confides in Yujirou that he wanted to edit Reversi.
19
Episode 19
As Ashirogi Muto struggle to meet deadlines for the Shonen Jack and Hisshou Jump magazines, a backlog of work starts piling up. As Mashiro and his three assistants, along with help from Takagi and Miyoshi push themselves to their limits to complete the storyboards, returning professional assistant, Ogawa, steps in with two new assistants and is able to complete the storyboards. As the competition between Nizuma's Zombie Gun and Ashirogi Muto's Reversi takes off, Reversi manages to take 1st place in the rankings for three consecutive weeks. This results in Nizuma changing one of his antagonists for Zombie Gun and rises to the top once again, showing up the weakness in Reversi for having two protagonists. As Takagi realizes this, he slows the pace of his story to match the standard battle archetype which further results in their ratings dropping to 5th place.
20
Episode 20
Mashiro and Takagi discuss their intention of covering the final confrontation of the main characters of Reversi in one go with a shocked Hattori, but they decide to cross that bridge when they get there. Meanwhile, Hiramaru's Never Reaching You is selected for an anime while Aoki's What God Gave Me is cancelled. In order to cheer her up Hiramaru invites Aoki to an amusement park with the intention of proposing to her. On learning of this, Yoshida is initially intent on stopping Hiramaru, since he will be distraught if he is turned down, but upon remembering his very first meeting with Hiramaru, decides to help him. At the amusement park, Hiarmaru takes Aoki to the ferris wheel, but isn't able to propose since he loses the engagement ring. Aoki realizes what Hiramaru is doing and gives him another chance, where he proposes in an unorthodox manner and she accepts, much to Hiramaru and Yoshida's joy.
21
Episode 21
Mashiro, Takagi and Miyoshi go to a hot spring for the short new year holiday. Mashiro and Takagi contemplate how far they have come since middle school. As the year begins, the editors at Shonen Jack have a tough time deciding which series, Zombie Gun or Reversi should get an anime adaptation since both have compelling circumstances. Yujirou explains this to Nizuma who turns down the offer, but when he learns that Reversi will take its place he changes his mind. Aida asks for Hattori's approval in selecting Reversi but he is torn. He knows Ashirogi Muto might end the manga before the anime even starts and feels obliged to tell this, but then the offer might be pulled. Hattori discusses this with Mashiro and Takagi who both immediately agree on the anime, but they realize they may have to prolong Reversi for a year and thus sacrifice its quality.
22
Episode 22
Hattori announces that the Reversi anime will begin airing in October and Mashiro breaks into tears as their dream is at last within reach. Heishi calls Nizuma and explains why he rejected Zombie Gun, since it will help Ashirogi Muto to rise to his level and secure the future of Shonen Jack. Azuki calls Mashiro to congratulate him and recites lines from Reversi. Later Ririki Kitami blogs about her meeting with Mashiro and his involvement with Azuki, which goes viral across the internet. As rumors begin spreading, everyone worries the public will accuse Ashirogi Muto of favoritism to Azuki, something that could damage her career. This is confirmed when Mashiro, Takagi and Hattori meet the animation committee for Reversi. Mashiro tells Azuki that she should deny any relationship with him on her weekly radio broadcast to preserve her image. However, instead she goes public with her relationshiptells everyone about their promise. This has a mixed effect on the public.
23
Episode 23
After the radio broadcast, Azuki's fans seem to have calmed down and Reversi gets a lot positive attention. The anime producers want to hold a public audition for the female lead role and let the public vote who should get the role, which would be unfavorable for Azuki sinds she won't be judged objectively. Despite this, Mashiro agrees, not wanting to let people think she got the role through connections. During the auditions Azuki's performance is excellent but people notice that she mentioned "Schwarz" instead of "Weiss" during her performance, like all the voice actresses did before her. Worried how the different line in the script will affect her, everyone is worried. Later, during the show, the director of the program makes a short announcement in which he states the script was based on the published Shonen Jack magazine edition, where the mistake was printed in, but that this was corrected in the manga volume.
24
Episode 24
Following Azuki securing the role of the lead female character, Hattori, Mashiro and Takagi begin discussing their intention to end the Reversi manga in July. Later, Mashiro calls Azuki to congratulate her and they make plans to meet once the first episode of Reversi finishes airing. Hattori tells Heishi about Ashirogi Muto's plan, which he rejects and orders Hattori to convince them to continue the manga. Hattori explains this to Mashiro and Takagi and they decide to think about their final decision. However, Takagi has a separate meeting with Hattori. He states that he will end Reversi in 8 chapters and surpass Nizuma in both rankings as well as volume sales, making Mashiro the best mangaka in Shonen Jack, wanting this to be his wedding present. Hattori decides to take responsibility reflect the words of Director Torishima: 'when the company and authors are at odds, a good editor should stand by the author'.
25
Episode 25
Hattori meets with the production staff and cast of Reversi's anime as production gets underway. At the studio, Mashiro reveals to Miyoshi of his intention to propose to Azuki after Reversi's premiere and thanks her for creating their pen name: "Ashirogi Muto". As Miyoshi leaves, Mashiro and Takagi reflect on their journey thus far. Elsewhere, Azuki reveals her and Mashiro's plans to meet after the anime to her mother, while Mashiro reads his uncle's diary. Later, after the anime premieres, Mashiro picks up Azuki in an fashion, honoring one of his late uncle's dreams and they talk about the times they had been together. Soon, Mashiro takes Azuki to visit her former home where they recreate the scene of the first time Mashiro approached her at her house, before proposing. Azuki answers by kissing him and promises that they will be together forever. Eventually everyone attends Hiramaru and Aoki's wedding where Azuki catches the bride's bouquet of flowers. Finally, Azuki and Mashiro move into Azuki's old house together with the intention to officially have a wedding ceremony if Ashirogi Muto's newest work gets a serialization. With their dreams finally achieved, Mashiro ends the series with a monologue, stating that dreams are not achieved by someone telling you so, you have to make them a reality yourself.
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